star trek the motion picture

He will not achieve his goal with us." Alan Dean Foster (Industrial Light & Magic: The Art of Special Effects, Chapter 1) This circumstance was certainly not lost on Phase II/The Motion Picture Production Illustrator Michael Minor, when he already in 1979 emphatically commented, "I love science fiction, but it's proved itself to be costly, damaging in human terms, costly in terms of money and time, and it is just much of a bankroll to bet too often. The V'ger sound effects were performed on the blaster beam a musical instrument invented by former Star Trek actor Craig Huxley. 1st of 13 Star Trek films The landscape of Vulcan was changed to include a yellowish sky and new landscape featuring massive statues. She allows him to proceed. 59-60), While pulled from the visual effects production proper, Magicam was retained by RA&A for the construction of the studio models for the film. Spock suggests that McCoy perform a complete examination of the probe. So I had to this razzmatazz bit onstage, so I could convince the people making pajamas and toys and Coca-Cola and McDonald's to do the tie-ins. "What was I meant to be?" Uhura chimes in and tells Kirk that they are getting a faint signal from Starfleet. This indicates a minimum of two-and-a-half years between the time the Enterprise returned to dry dock and the beginning of the first film. (Star Trek Phase II: The Lost Series, p. 76) Nearly all non-script related production decisions made after March were Wise's and not Roddenberry's, which included, among others, his decision to completely revamp at great cost (see below) the vast majority of the Phase II sets, which he "didn't like very much". The cost-inefficient situation of having "too many helmsmen at the wheel" was not restricted to the highest management echelons alone. We were expensive, because we're a[n] union shop, but they knew we could do the work." The original production budget for Star Trek: The Motion Picture, set at US$15 million, included the costs made for the aborted Star Trek: Phase II series, as well as the earlier false starts in getting a Star Trek film off the ground. Meanwhile, in Federation space, a listening post, Epsilon IX, picks up a distress signal from one of the Klingon ships. Then, after the world premiere, he and Gene Roddenberry considered doing some more work on the film, but Paramount overruled them, saying it might show a lack of confidence in the film if they did that. Gene Roddenberry The new mix is in Dolby 5.1 EX Surround. It was Post-production Supervisor Paul Rabwin who selected Robert Abel & Associates (RA&A), the unfortunate visual effects company. For the reproduction of the visual effects, a new budget of US$10 million was approved. ", "I don't want him stopped! Kirk goes to the transporter room to ensure that the person is beamed up. "Star Trek: The Emotional Picture", Chapter 4. (The Making of Star Trek: The Motion Picture, p. 204) Coincidentally, this amount corresponded with the amount the cost-price was adjusted downwards as mentioned previously, suggesting that this was the amount Steel had netted the studio with her fund drive as well as corresponding with the minimum cost estimates Roddenberry and Collins were given fourteen months earlier by effects companies in the first place. Spock picks up the necklace from the ground and holds it in his hand. Kirk and Spock arrive inside a crewman's quarters to discover that the intruder is inside the sonic shower. Spock deduces that the alien is curious about them. He then goes over to the damaged circuitry and fixes the wires so he can manually enter the rest of the code through the ground test computer. Considered paramount, it is one of the most strictly enforced corporate laws in the Western world, the US, EU, and Australia in particular, where authorities are singularly keen on meeting any perceived transgression with traditionally hefty fines. 119-120; The Special Effects of Trek, pp. He offers his services as the science officer. "May I ask why?" (Star Trek: 45 Years of Designing the Future) Both remarks implied that the upgrade was a "spur-of-the-moment" decision, whereas the somewhat flippant "top-notch picture" annotation by Eisner, additionally indicated that the consequences of their upgrade decision was neither thought through, nor fully understood by the studio. Another alert goes off, reporting helm control has been lost. Spock theorizes that this may be a visual representation of V'ger's entire journey. McCoy warns Kirk that they only have ten minutes left. Before Rabwin was tasked with selecting an effects house, Roddenberry and Phase II director Robert Collins had already made a quick precursory round of the established visual effects houses in mid-October 1977, but found out that visual effects production had been tremendously revolutionized since The Original Series (not in the least due to Trumbull and his colleagues when working on 2001: A Space Odyssey, and not even mentioning what ILM had done on Star Wars) and were unanimously informed that the visual effects they had in mind could not be produced for less than US$9-$10 million. Star Trek: The Motion Picture A new CGI shot was inserted which shows V'Ger's second energy torpedo vanishing before it could strike the Enterprise. Often incorrectly credited as McDonalds's very first outing in their "Happy Meal" concept, The Motion Picture was nevertheless their first themed one, coming from December 1979 onward in five boxes with items included such as bracelets, puzzles and the like. 38, 42;). They always come back." You'll stay on as executive officer, temporary grade reduction to commander." As stated above, the studio actually did charge in full all costs made for every single prior revitalization attempt to the Motion Picture, further hinting at information manipulation, an industry phenomenon known as "Hollywood accounting". He moves over to the science station and tells Kirk that he is aware of the crisis and knows about the ship's engine design difficulties. Suddenly, a bright light forms around Decker's body. ", Kirk asks "Ilia." Arguably, Steel not only saved the film, but the entire studio as well with her fund drive. Did V'Ger ever transmit its data or just join with the Creator? Ahead of them is a structure with a bright light. and Star Wars (1977), which was approximately $10 million each (Close Encounters of the Third Kind had not yet premiered by the time of the upgrade decision). That money had not been Paramount's own, but had been a loan from the obscure investment company Century Associates. The thruster engine shuts down, and the momentum carries Spock ahead further. "They do not. The first one is heard just before Kirk engages the, The film was one of only a few Hollywood productions, and also one of the last along with Disney's, This film marks the first depiction of Earth in the 23rd century. However, it is customary for the person in command of a ship to be addressed as "Captain," regardless of his military rank. Wise also said that the Director's Edition is a tighter cut and more focused on the characters, within the restrictions of the film's story. (Playboy magazine, January 1980, p. 310). Captain James T. Kirk: [in mock horror] They didn't. [16]. He didn't. "You asked my opinion, sir. Part of their responsibility was, under the supervision of Grant McCune, having their model shop build a number of studio models for the film, including a two-foot articulated thruster suit puppet, three models of the Epsilon IX station (an entirely original Apogee design), and exterior sections of V'ger, as well as extensively modifying Magicam's D7-class model for it to become the K't'inga-class model. Kirk recalls the history of the Voyager program it was designed to collect data and transmit it back to Earth. The fact that The Motion Picture had been delivered just in time to the theaters, resulted in that both the US$35 million dollar theater guarantees as well as the ABC pre-sale of US$10-$15 million dollar were secured. McCoy leaves to check out the new sickbay, grumbling about all the new changes to the Enterprise. Kirk makes his way to the new engine room and pauses to look at Enterprise's heart the warp core before taking the lift down to where Captain Decker is busy assisting Scott with launch preparations. There is now a walkway that materializes out of thin air, compared to the endless field in the original version. The spoken Klingon language was developed by James Doohan, who had expertise with various dialects, after he had a discussion with Gene Roddenberry over lunch. Sulu reports that forward motion has stopped. Yet for all that, V'ger is barren, with no sense of mystery and no emotions to give meaning to its actions.

"And if that whatever has taken over his mind?!" However "Ilia" says they are not true lifeforms like the Creator. Abel, as it turned out, was concurrently looking out after the interests of his own company, having produced several commercials in Paramount's time and at their expense, as was conceded by RA&A's own Executive Producer for Commercials Jeffry Altshuler. Sitting at the science station, Spock awakens from a brief trance. Another energy beam is sent out, but Spock transmits a message just in time, and the beam disappears. "Why? Decker figures out that V'ger wanted to bring the Creator here and transmit the code in person. Thus organized, Lucas was ensured of minimal meddling by the powerful Hollywood Unions. Kirk is anxious to intercept the cloud intruder at the earliest possible opportunity, and orders Hikaru Sulu to take the ship to warp speed. "That's why you're staying aboard. TM & Copyright 1979 by Paramount Pictures Film Corporation, Inc. All figures rounded off to the nearest thousand, Figure does not include $85,000 for special lighting, aren't re-forming properly in the transporter beam, Return to Tomorrow - The Filming of Star Trek: The Motion Picture, The Making of Star Trek: The Motion Picture, 20th Anniversary Special Edition soundtrack, Star Trek: The Complete Unauthorized History, Star Trek: 45 Years of Designing the Future, Industrial Light & Magic: The Art of Special Effects, Star Trek: The Motion Picture Stardate Calendar 1980, Star Trek: The Motion Picture The USS Enterprise Bridge Punch-Out Book, Star Trek: The Motion Picture Peel-Off Graphics Book, Star Trek: The Motion Picture - The Director's Edition (DVD), Star Trek: The Motion Picture - The Official USS Enterprise Officer's Date Book (1980), Star Trek: The Motion Picture Make-Your-Own Costume Book, Star Trek: The Motion Picture - The Art and Visual Effects, National Aeronautics and Space Administration, Rhaandarite orbital office complex officer, Andrew Probert saucer separation concept art, Best Overall New Extra Features, Library Title, Best New, Enhanced or Reconstructed Movie Scenes, Best Archival Release of an Existing Score, Also, Nimoy is the only actor to participate in both this film and, Principal photography, the filming of scenes which required the principal cast, began on, The theme from the TV series is heard three times in the film. Captain James T. Kirk: [33:14] Well, for a man who swore he'd never return to the Starfleet Dr. McCoy: Just a moment, Captain, sir. 7410.2 (2270s)[1], "Ten years ago, a television phenomenon became a part of life, shared in 47 different languages, read in 469 publications, and seen by 1.2 billion people. On the bridge, Kirk wonders if they just saw the beginning of a new lifeform, and Spock says yes and that it is possibly the next step in their evolution. (The Making of Star Trek: The Motion Picture, pp. Ilia says that it is illogical to withhold the required information, and asks him why he won't disclose it. He said that if he had seen her again, would she be able to say goodbye? Jim, this vessel was launched almost three hundred years ago", and given that the Voyager 6 probe would naturally have been launched some time after Voyager 1 and 2, which were launched in 1977, then this would put a lower limit of 2278 on the year of the film's events. Kirk orders the Enterprise's phasers to be fired on it, but Decker tells Chekov to fire photon torpedoes instead. He is quickly overwhelmed by the multitude of images flooding his mind and falls back unconscious. Implicating Roddenberry in the high production costs, which was only partly justified (see below), was, in hindsight, indeed studio politics by COO Michael Eisner and his studio executive colleagues, adeptly turning a disadvantage into a publicity advantage by carefully managing cost information dissemination. Under the stipulations of his new contract, directors and creative staff could ask for his opinion on the project, but his advice which he, unsolicited, provided nevertheless for years in the form of a fruitless avalanche of story outlines, script drafts, annotations, memos and the like, particularly for Star Trek VI: The Undiscovered Country, none of them really read was not needed to be taken. 260-261).

McCoy says that it's been a while since he "delivered" a baby and hopes that they got this one off to a good start. Add to this that the studio has been able to raise the US$10 million dollar shortfall due to the February visual effects crisis, on its own, meant that the film had already earned back its direct production budget, before even a single second of footage was seen by the public. Decker wonders what V'ger would need to fulfill itself.

Considering that their "$25 million" having taken Rodenberry's 1979 interview statement to that effect at face value (Return to Tomorrow - The Filming of Star Trek: The Motion Picture, p. 653) were already taken up by the visual effects production and set construction alone (see below), meant that the Reeves-Stevens/Rodenberry assertions should therefore be considered as equally manipulative as those of the studio, albeit at the opposite end of the spectrum. Jeffrey Katzenberg, confirming the incident, was hardly perturbed, "That much is true, Abel has said he's going to sue us because of [Wise's] statements. Chekov also pipes in and replies that it appears to be a courier vessel, non-belligerency confirmed. Since it sold to Gulf&Western, Paramount is no exception. Kirk is bothered as to why Sonak is not on board yet. ", Spock compares V'ger to a child and suggests they treat it like one. In the Enterprise's recreation room, as Kirk briefs the assembled crew on the mission, they receive a transmission from Epsilon IX. robot chicken wars star escalator Then RA&A Executive Producer Sherry McKenna, has put it even more succinctly, having bluntly stated, "Paramount didn't check us out" (New West magazine, 26 March 1979, p. 59). ", "Moving into that cloud, at this time, is an unwarranted gamble." Everyone who worked on the art direction provided too much input to be ignored, so we all got credit, and Hal Michelson, brought in as art director, ended up getting credit as production designer." Kirk and McCoy both share a look after Spock leaves the bridge. Ready or not, she launches in twelve hours. Immediately." It would not be until Star Trek III: The Search for Spock that Klingons would have unique cranial ridge patterns. Trumbull only agreed to do so as a courtesy to his old friend Robert Wise. Kirk acknowledged that he had saved the ship however, he accuses Decker of competing with him. Held in the largest theater on the Paramount lot, and joined in a similar fashion by the principal cast, the imaginative presentation was met with rambunctious enthusiasm. (Inside Star Trek: The Real Story, pp. Kirk tries to stop him, but "Ilia" tosses him aside. Trumbull, one of the effects supervisors for 2001: A Space Odyssey, whose grandeur the studio wanted to emulate for the upgraded film, was actually the first party approached for the film's visual effects, but he had to decline as he and his company were knee-deep involved in the post-production of the science fiction classic Close Encounters of the Third Kind at the time. Then novice studio producer Jerry Bruckheimer recalled, "I was here doing American Gigolo when they were doing Star Trek. It should likewise be noted that Wise in his role as director also should have shared to some extent in the "plodding pace" criticism but, in his defense, in this regard he had by then little choice due to the February visual effects debacle, as he was forced to "start putting our effects into the body of film, one at a time, as they came in from the effects houses". Spock tells Kirk that V'ger must have a central brain complex. What was I meant to be? This was especially true for the Star Trek: Phase II television movie, n series, -project, which directly preceded The Motion Picture, as much of the groundwork for The Motion Picture was laid during the pre-production of that project. It is actually slightly longer than the original version. Spock confirms to Kirk that the alien has been attempting to communicate. The Ilia probe demands that Kirk "disclose the information." Decker suggests that the ship fires phasers, but Spock, evocatively, asserts that "Any show of resistance would be futile, Captain." Spock touches a button on his thruster panel and his thruster engine ignites. Still, in the particular case of Phase II, an argument could be made for carrying over production costs already incurred to the Motion Picture, since some of those costs were applicable to the Motion Picture as well, such as those of the sets that were already constructed and the fees for production staff and cast already paid, who continued to work on the film. Only the ship. She asked if he was sorry for leaving Delta IV, or for not saying goodbye. While studio executives are dependent on their producers for providing accurate production information studio executives are generally business people, not film or television makers, and they usually have more than one production under their auspices at any given time this does not discharge them from the responsibility of performing their own due diligence assessments, especially on financial matters, which are their primary responsibility in the first place.

As the three ships are attempting to escape the cloud, a "bolt" of plasma energy emerges and destroys each ship one by one.

The shot from the original version remained intact, but a new element of the vessel imploding its energy for the explosion was added. "Ilia" points to the structure on the screen and identifies it as V'ger. The sound was created by several strings attached to an eighteen-foot aluminum body and amplified by motorized guitar pickups. And when he set the initial film budget at $15 million, he could at first glance have been excused for thinking that this was ample. Spock manages to smash the controls to prevent further access, and the probe gives him an electric shock that sends him rolling onto the floor. (The Making of Star Trek: The Motion Picture, pp. Until 2005 that was though, when the issue re-emerged in a slightly different format when Gulf+Western's successor Viacom (old) was split into two separate entities CBS Corporation and (new) Viacom.

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